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The Korean Green Competition focuses on feature films whereby 6 titles are selected. New discoveriesare chosen over films that already had sufficient public exposure, to give them a full introduction duringGFFIS.
A film director who used to be indifferent towards the world realizes the value of solidarity andpeace during a bike journey through 3 Northeast Asian countries in Another World, presenting coopmembers’ quest for healthy food production in Welcome, Let’s Live Together, highlighting the valueof life from a little girl’s point-of-view as she encounters a wrecked ship buried under the sea in AGirl and a Shipwreck, featuring the account of people laboring over the land and sea they live on inpoetic and innovative film language as the camera shifts between Korea and France in Résonances,exploring residents’ memories and therelationship between reality and space through an old dog of aSeoul neighborhood faced with redevelopment in Baek-gu, and observing Palestinians in their effortsto preserve the land and memories of their ancestor’s now occupied by Israel in All live Olive will beshowcased.

The Korean environmental films of this year are filled with works that explore the meaning of theenvironment, peace and life through the bodies, scents and memories of people who occupy certainspecific spaces. These are not works that claim the appropriateness of an issue by asserting itspolitical correctness or logic and cause, and engage in a struggle, but mature environmental films thatobserve our lives and nudge us into experiencing various environmental issues.

All live Olivel올 리브 올리브

  • Director : KIM Tae-il, JU Ro-mi
  • Nation : Korea
  • Year : 2016
  • Running Time : 92min
  • Genre : Documentary

Screening Schedule

Date Time Venue Ratings Subtitles GT
2017-05-19 19:30 GT
2017-05-24 12:30



Wizdan lives in the rural village of Sebastia. Both their parents are olive farmers. The film portrays the daily lives of many different Palestinians
living under Israeli occupation, mainly around Nablus. They struggle to guard their land despite repeated humiliation, and the film focuses on the
resistance of such ordinary Palestinians including Wizdan's family.

-Program Note

A large portion of documentaries made worldwide deal with the subject matter of Palestine and Israel. Another one comes from a Korean filmmaker. All live Olive chooses to focus on the livelihood, life and dreams of the Palestinians rather than their political situation Sensationalism does not exist in All live Olive’s introduction of Palestine, and we see just an observation of the daily encounters of the Palestinians. Their lives are far from normal, still they create daily routines amongst their reality of death, violence and sadness. Women had to acquire a strong desire for life when the youth generation lost their families in civil wars and struggled to find jobs. To them, each day is just an act of living, not a reality of terrorism. The Palestinians resemble the image of their key source of income, olives. The Israelis may have uprooted and burned down their olive trees, but the olives have come to represent the inerasable history of Palestine through their abundant bearings. Life is an unyielding principle that cannot be stopped by force. (LEE Yong Cheol)

- Director
KIM Tae-il, JU Ro-mi
KIM Tae-il, JU Ro-mi

KIM Tae-il began his career in independent documentary at P.U.R.N PRODUCTION in 1991 and won the Woonpa Award at the 10th BIFF for Annyoung, Sayonara (2004). He has toured the world in his quest to introduce the lives of the people through works such as Wellang Trei (2012). JU Ro-mi is awaiting the theatrical release of her debut feature documentary All live Olive.


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